What’s a Klippel?

The roots of this blog post were planted in a post I published very recently regarding the Audio First Fidelia. I began, while drafting that post, to explain some of the techniques and technology used to carry out acoustic measurements of speakers, the Klippel NFS (Nearfield Scanner) in particular, but it soon became obvious that […]

Audio First Fidelia

I happened upon a small start-up loudspeaker company called Audio First recently and was so intrigued I thought I’d write a little blog post about it. Originally from Hong Kong, Audio First founder Harry Yeung gained an MSc in Acoustic Engineering from Salford University and, following a period working in architectural acoustics back home, has […]

The Hans-Martin Buff Interview – Part Three

The post discusses an interview with Hans-Martin Buff, who created the Dolby Atmos In-Side mix of Peter Gabriel’s i/o album. The author recounts their experience meeting Buff at Real World Studios and emphasizes his journey from skepticism to mastering immersive audio. Buff shares insights on the collaborative mixing process with Gabriel, highlighting the freedom and creativity in his approach to the project.

The Hans-Martin Buff Interview – Part Two

The post discusses an interview with Hans-Martin Buff, who created the Dolby Atmos In-Side mix of Peter Gabriel’s i/o album. The author recounts their experience meeting Buff at Real World Studios and emphasizes his journey from skepticism to mastering immersive audio. Buff shares insights on the collaborative mixing process with Gabriel, highlighting the freedom and creativity in his approach to the project.

The Hans-Martin Buff Interview – Part One

The post discusses an interview with Hans-Martin Buff, who created the Dolby Atmos In-Side mix of Peter Gabriel’s i/o album. The author recounts their experience meeting Buff at Real World Studios and emphasizes his journey from skepticism to mastering immersive audio. Buff shares insights on the collaborative mixing process with Gabriel, highlighting the freedom and creativity in his approach to the project.

My Dolby Atmos Immersion

If you have any interest in contemporary music and its production, which, bearing in mind you’re reading this, I think it’s a fair assumption that you do, you’ve probably seen or heard the words Dolby and Atmos quite regularly in recent years. Quite possibly you’ll already be familiar with pretty much everything I’m about to […]

Running-In – Please Pass

Following a recent Sound On Sound nearfield monitor review, of a product, it’s true to say, I didn’t find entirely convincing, I was criticised by a contributor on a pro audio forum who felt that my opinion of the monitor was probably skewed by my being, “too lazy to run them in properly”. Now, as a writer of reviews it would be somewhat rich of me to get upset by somebody expressing an opinion, but I can’t deny I bristled a little.

An Exchange

Along with maestro drummer Andy Fraser, I was part of multi-instrumentalist, singer and songwriter Theresa Elflein’s band, Mouth, until spring 2017 when Theresa relocated back to her native Germany. Not long before Theresa left however, the band spent a productive couple of evening sessions in the studios at Sussex University recording three favourites of the […]

Raider of the old archives

Looking through my archive of old magazine features  to find something that illustrates a particular writing style, I happened upon a review of the original iPod that I wrote for a hi-fi magazine in the early 2000s. In the context of the technical and commercial developments that have come to pass since, and where we […]